Excerpt from Exhibition Statement:
One of my favorite moments in the exhibition is a photo I took of my Grandmother, called “Grandma” , . It’s situated above a poem by Lucille Clifton entitled, “I am accused of tending to the past.”
I hold this photo with so much love, this image of my Grandmother. She is so special. There are no real words to express the feeling it gives me, but it definitely has so much of her essence in it. The most pure, loving and unconditional woman. It has been a gift to be her granddaughter.
I coupled this work with the poem, “I am accused of tending to the past” because this photograph also speaks to a wider story about black women; and about our elders who have lived through so much, seen so much.
This image makes me think of my lineage and of black women being at the forefront of tending to falsified histories and constant erasures; persevering in the midst of challenges sprouting from seeds they did not plant.
Black women exist outside of societal and historical constructs. We are not to be collapsed into stereotypes, labels and archetypes of strength, servitude or over-sexualization. We will not be written off as angry or oversensitive. Black women have an emotional and spiritual intelligence that is unmatched. We are not invisible. We are invaluable. Black women are unbounded. We’ve always shown up; and yet we too have softness. We deserve reverence & regard. We are multidimensional.
Displayed in my 2020 Sondheim Finalist Virtual Exhibition, “WE ARE THE INFINITE, DISGUISED AS THE FINITE”
Self-Guided Walk Through of Virtual Exhibition: